(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter.
Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman.
Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics. Related Paintings of Niko Pirosmanashvili :. | Organ-Grinder | Sister of mercy | Festival on the Tzkhenis-tzkaly River | Tatar - Camel Driver | Kakhetian Epos - Alasan Valley | Related Artists:
Gustav Wentzel(7 October 1859 - 10 February 1927) was a Norwegian painter. He was best known for interiors and domestic and rural scenes. His artistic style was associated with Naturalism and noted for accurate observations and attention to detail.
Gustav Wentzel was born in Christiania. He was a pupil of painter Knud Bergslien (1879-81) of and Frits Thaulow in 1883. He also studied for a time in Paris at the Academie Julian in 1884 and at Academie Colarossi with Leon Bonnat and Alfred Philippe Roll (1888-89). Wentzel first public painting was exhibited in Albert Cammermeyer bookstore during the autumn of 1879. His painting Snekkersvennen, which had been rejected by the Christiania Kunstforening, led to a lasting dispute and the establishment of an exhibition organized by the artists themselves, which eventually became an annual event called Autumn Exhibition (Høstutstillingen) in Oslo.
Among his paintings at the National Gallery of Norway are I fiskernaustet from 1881, Frokost from 1882, and Dans i Setesdal from 1887. Wentzel was decorated Knight, First Class of the Royal Norwegian Order of St. Olav in 1908
Georges MichelFrench Painter, 1763-1843
French painter. He came from a humble background, his father being an employee at the market of Les Halles in Paris. At an early age, a farmer general, M. de Chalue, took an interest in him and found him a place with the curate of Veruts, on the plain of Saint-Denis, north of Paris. It was here that he first developed a love of the countryside. In 1775 he was apprenticed to a mediocre history painter called Leduc, but he preferred to go off and sketch out of doors. In order to assist him, M. de Berchigny, Colonel in the Hussars, engaged him in his regiment garrisoned in Normandy and arranged for him to take lessons in art. He remained there for more than a year and then returned to Paris, where he worked with M. de Grammont-Voulgy, who was Steward to the brother of Louis XVI.
Tadeusz Ajdukiewicz1852 in Wieliczka ?C January 9, 1916 in Krak??w) was a Polish painter.
From 1868 to 1873, he followed Władysław Luszczkiewicz classes in the Fine art school of Krakow. Later, he was in Vienna and Munich and in J??zef Brandt's atelier. In 1877, he travelled to Paris and Near East. In 1882, he lived in Vienna, where he worked for the aristocracy. In 1883, he went to London, where he made Prince of Wales' portrait. In 1884, to Constantinople, he was sultan Abdhulhamid II's guest. And he woked later in Sofia, Saint Petersburg and Bucharest. He joined the Polish Legions in 1914, during World War I, and he died in one of the battles of this war. He's first cousin was Zygmunt Ajdukiewicz.